Quick ways to make little books – with Mini Grey

                                                                              Above: 'Fight': screenprinted book by Katherina Manolessou

Sometimes what I
want most to do is just cut and fold some paper into a little book. There’s
something about being able to physically hold a book and turn the pages that is
just not the same in a digital version. So sometimes it seems important to make
a physical version of the story you’re attempting to make.

The book is an
ancient technology, but actual paper may still be the most enduring way to save
information and pass it on to future Earthlings.

It’s very
satisfying to have made a physical little book. And you can show it to people.

And children can
get huge satisfaction from making a book too.

So in this blog
post, I wanted to share a few quick & easy ways that I use to make little
books, and all of these ways of little-book-making are ways that children can
make books too, so I also wanted to say a bit about children making books in

Here we go!

Number 1: Stuck Down Spreads

A picture book page
always has a fold in the middle. For this type of little book, you can either:

Make yourself lots
of little pages the same size with a fold in the middle and work onto them....


OR print yourself a storyboard to work onto, like this one...

Here's a storyboard that's been sketched into.

Here are cut and folded printed storyboard spreads  (the advantages of being able to
print them is you can change the size of your pages).

  Then start sticking the first to the second, the
second to the third, and so on, until you have a little book you can flip

Making teeny minibooks for the Last Wolf and the Greatest Show helped me look at the stories as a whole.

What’s good:

µBeing able to work small scale on a storyboard means
you can work fast.
µAssembling your pages means you can reorder them, can
swap in and out pages that need improving, and play with your content.
µYou can have any number of pages. µYou end up with a nice sturdy book. µPages don’t have to stay rectangular: here’s the dummy
for the Bad Bunnies where I’ve cut into the pages to make them more magical. 

 You’ll probably
want to give your book a cover, but don’t worry, we’ll look at covers later.

2 : Zig-zag book

This is how I do
it: The zig-zag book spread has an extra tab on the side, where it’s going to
be stuck together, so you either need to fold yourself some pages with tabs, or
use a storyboard format with tabs to print out your pages. Fold the centre fold
and the tab fold for each spread. (The blank storyboard we saw earlier has gaps between spreads, so you can leave the right hand gap attached to make spreads with tabs)


Then start gluing – Pritt stick
seems to be strong enough for this.

What’s good:

µAgain, you can play with the order and look at your
content before assembling.
µWhen your book is glued together you can flip through
it like a normal book but also pull out your zigzag and see your story all at
once – and that can be a nice way to display your book.
µ Again, you can make your book as long or as short as
you like.

Little Red Riding Hood by Caroline Whitehead. This zig zag is one folded piece of card with a slipcase cover.

Those two ways are
the way I always make little book dummies, because they give you the flexibility to change your spread ideas easily. But there are other formats that can
be fun to play with, or good for publishing little batches of handmade books –
here are a couple:

The Folded
origami book

This is a nice way
to make a little book out of one folded piece of paper. What’s a nice
possibility is, because the artwork is on only one side, it makes it easy to
photocopy/scan the finished book and print and cut/fold a batch of books. 


What to do:  1. Fold your paper into 8 equal rectangles by folding in half 3 times. Open it out and fold all your folds the other way, so the folds are happy to be folded both ways. 2. With the paper landscape ay round, fold in half. Cut from the centre fold to half way. 3&4. Open out and fold in half lengthways, your cut bit should open out into a box shape. 5&6 Flateen the box shape by pushing the two outside pages together and press down your book. You should have 3 inside spreads and a front and back cover.

Because your pages are all doubled up, it's possible to cut into them to pull out pop-up shapes, like this.

The Pamphlet

You can use this
format to make a blank book – but I don’t really like starting with a blank
empty book and filling it up – I like starting with collecting my delicious
ingredients and exciting content, and then building a book with it.

But the pamphlet
book format is how books really get published, so if you like super-complicated
page ordering, printing a pamphlet book could be for you!

Your paper will be
folded into 8, and you’ll have 16 pages in all. (32 page picture books are made
of 2 of these 16 page pamphlets) So first you’ll need to make your 16 pages of
content at the right scale. THEN – pop your pages onto your big page framework
so they are in this order and way up (see below). (That is the most mind-boggling and tricksy part of this whole process.)

NOW – fold. First fold into 8 equal rectangles, just like for the origami book. 

1. Now have the side with page 1 in front of you, with the 1 at the bottom right. 

2. Fold in half so you can still see page 1. 

3. Fold in half again, fold the top half down so you just see pages 1 and 16.

4. Fold in half again so you can only see page 1. 

NOW sew it together.
Make an odd number of holes in the main fold that will be the spine. 

Start at the
middle hole. For 3 holes: sew into the centre hole from the outside. Now running stitch to one of the outer holes. Push your needle though to the outside. Now form the outside, sew into your other outer hole (missing the centre hole) and push your needle through to the inside. Now, on the inside, sew into the centre hole, and push your needle through to the outside. You can tie your two thread ends around the centre long stitch, to hold it all together.  You can tie decoratively
or cut neatly. Now trim your book (along the top and right hand side edges) so your pages are liberated and you can flip
through your newly minted book.

For a cover – you can
either make a separate cover and stick your book into it, gluing page 01 and
page 16 down to the cover. Or add an extra page to your book before sewing –
this can either be your endpaper, which then gets stuck to your cover – or it can be your actual cover, as in the book above.

And now, at long
last, we come to


Now if you want to
get super-crafty, there’s making a book-binding cover, with fabric and boards
inside, but that’s more of an upholstery project and I tend to need something
way quicker, so here’s how I make covers…

Cover 01:
Super Simple Folded Cover

Use card, adjust your
template to fit your book.

Then either: slip
around the front and back pages of your inside book, or Stick your covers flaps
down to firm it up, and stick page 01 and your last page into your cover.

Cover 02: Slightly
Stronger Cover

I often make covers
like this, but it’s a fiddlier template.

But that’s not all –
you can have

Fun With

Playing with your
cover can mean your book can turn into
a suitcase or a
shop or a television…what about a house? A theatre? Books are the masters of disguise.

It's fun to just play with the different things you can do with a simple card cover.


Making Books
with Children

Making a book –
even a small short one – is a lot of work, and a long process. So it’s good to
think small – for example making a short book for one poem could be a more do-able
project than creating a complete picture book. The standard 32 page picture
book format is way too much work! Work on a much smaller scale of number of

I think it’s good
to try working from a storyboard: you can use your storyboard sketches to make
the actual page
s. If you work at a small scale it is easy to change a
page, to swap in an alternative, and you have less invested. It’s good to see
your spreads all at once in front of you. Sometimes just ordering your images
is the way to create your story. If you work at a small scale you can realise
your ideas FAST, and I find drawing small is liberating. Do tests! Collage in
drawings you’ve made or pictures you’ve found:
& sticking and drawing are all activities where you start to generate more
ideas, and the doing of them is productive but not daunting.

I particularly love
cutting & sticking words – sometimes just sticking your words on your
double page spread can help you invent how to tell that bit of your story.


And then there’s
always the possibility – for a stall at the winter/summer fair: could your
class become a publishing house?

These are two books made with my son Herbie when he was at primary school. Herbie made the contents and I helped him publish them - and he sold quite a few at the school winter sale.


Children making
stories in school often is seen as a literacy/writing activity – and that the
main outcome will be writing-based. For me, the practice of making stories involves
visual story telling:  diagrams, sketches,
visual brainstorms. But story-making drawings don’t have to be ‘good’ drawings –
they’re just a way to collect ideas. (See my post on How To Not Draw Things for more about this...) I find being able to move my elements
around and being able to start anywhere sets me free, which is why collecting images and words, and cutting and moving them about is so useful. I don’t have to start at
the beginning and move linearly.

The homemade book
is often the only existing copy in an edition of one, a special object to be
kept forever. And if you’ve managed to transform paper into the magic doorway that
is a book, you’ve made something precious indeed.

Mini’s latest book is The Greatest Show on Earth, published by Puffin.

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